The Silk Road

By Michael Arner
Directed by Stacie Green

CAST

Bei Qian Yin                       Michelle Aguillon
Leslie Warren               Josepff Zamparelli, Jr
David Suther.                             Doug Halsey
Li Xiao Mei                                Yoko Honjo
Zhou Ling-Ling                     Krestie Lumakin
Wu Chu-sheng                          Patrick Wang
Helena Warren                    Susan R. Woods
Chen Jun-li                                    Alex Chen
Nightclub pianist                       Ronald Grassi
Nightclus singer                          Stacie Green
Cocktail waitres                  Jessica VanDaam
                        
                                

 
 
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Playwright's notes

"The westward expeditions of the Great Traveler Chang Ch'ien in the first century B.C. blazed trails which eventually became that complex of caravan routes called The Silk Road, connecting Imperials China and Imperial Rome. From Ch'ang-an, present day Sian, they led through the Gobi Desert oasis of Tun-huang, to Yu-men-kuan, called the Jade Gate, and then around the Taklamakan desert either north- or south - westerly and thence to the Mediterranean coast. Silk--which the Emperor, Tiberius in the century A.D. proclaimed an instrument of decadence and prohibited from wearing--nevertheless poured along the route to the West, along with furs and ceramics, cinnamon bark and bronze mirrors. The West sent precious metals and stones, wool and linen, ivory, amber, and glass. From India, the Silk Road brought Buddhism too into China. Populous and cosmopolitan oasis towns grew up along the road on the Taklamakan, flourishing materially, artistically, and intellectually, especially throughout the golden age of the T'ang dynasty. With the drying up of glacial streams that watered them, the dynasty's decline, and the arrival of Islamic warriors from Arabia, the Silk Road fell ever more into disuse and many of these towns were re-discovered and then plundered by explorers and adventurers from Europe and America who, predominantly without Chinese sanction, brought back in droves precious artworks and manuscripts from their excavations and in to western museums. The play does not take place in the Taklamaken, but in Shanghai--concomitant with the end of this period of theft". ---Michael Arner

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